نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی کارشناسی ارشد زبان و ادبیات فارسی دانشگاه سیستان و بلوچستان
2 استاد زبان و ادبیات فارسی دانشگاه سیستان و بلوچستان
3 دانشیار زبان و ادبیات فارسی دانشگاه سیستان و بلوچستان
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
Jalal al-Din Mohammed Balkhi did not end his majesty Masnavi with the sixth office, and the spiritual Masnavi remained unfinished. At the end of the sixth office, Maulana begins two stories that include the story of the Inzorbat and the story of the three sons of Sahal - the first as the main story and the second - as an inner story, but without stashing it to the end, it stops the open masnavi. With silence, he waits for the silence to end the reader. Perhaps there was a purpose and purpose in this endlessness, and Mowlana wanted to tell his followers that the path to paths and the discovery of truths is a never-ending path that should continue.
For this reason, after Mowlana, some people have tested themselves, as the seventh office or the closing ceremony of Masnavi, they try to compose verses in the Masnavi style of spiritual life. One of these efforts is a systematic work titled Mathnawi's termination of the culturally divine narration by the mystics of India in the 12th century AH . In this research, by comparative analysis, introducing the owner of the termination, the structural and semantic analysis of this work and its comparison with spiritual mathnaically are discussed. The results show that the closing of the Divine Mufta has many similarities with the spiritual Masnavi, and the Divine Mufti has been able to bring its work closer to Masnavi in terms of its narrative and semantic structure.
کلیدواژهها [English]
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